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Top 10 Books for the Beginner Artist


art books

I thought I would do a few posts with my top books for those beginning to jump into the art world. I’m sharing the top ten books I picked for beginners from my collection. 



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1.




You can read all the books you want, take all the classes and workshops you want, and buy all the best gear, but your art will only improve if you practice regularly. This book gets you started on that path.




2.




Caroline Linscott covers a range of popular subjects as she introduces several basic art concepts and painting techniques, all clearly explained and illustrated.



3.




The exercises are ideal for beginners, and the main projects will also build skills that will help artists improve. A pull-out outline drawing is provided for every exercise and main project, and Matthew Palmer shows step-by-step instructions on how to transfer these onto watercolor paper.



4.




A series of fun, hands-on exercises help you practice and perfect your strokes—24 mini-demos lead to 9 full step-by-step demos. The lessons you learn by drawing simple subjects such as coffee mugs, clouds and trees will help you take on progressively more challenging matter like animals, still lifes, landscapes and portraits,



5.




The entertaining, hands-on lessons begin with contour drawing techniques and feature numerous exercises that show budding artists how to make basic shapes and forms.




6.




Beautifully presented instructions and illustrations show you the fundamentals of watercolor for beginners. In five different lessons, mix colors and try various brushstrokes and washes. Learn how to choose and assemble your supplies and paint using color theory and composition techniques.




7.




The eight lessons are carefully constructed to build the necessary techniques, one step at a time, by first starting with simple tasks such as creating and painting flowers with just a few petals and gradually leading up to more complex works with multiple flowers and colors.





8.




Botanical artist Harriet de Winton shows you how to paint modern watercolor artworks to treasure and share. This book aims to expand readers' repertoires into fauna and flora, with easy-to-follow instructions for a variety of difficulty levels.




9.




This book can teach anyone to draw (yes, even you!) Carrie and Rick Parks can help. As award-winning teachers, they have a proven game plan for helping artists of all levels overcome common problems and see immediate improvement in their work.




10.





For those who want a bigger challenge and enjoy figure drawing, Christopher Harts shares his "foolproof" method; even beginners can quick-check the proportions of their head and figure drawings, identify errors, and swiftly fix mistakes.




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6 Tips to Make your Commissions Joyful.



My first sale, after I started painting seriously, came through the Facebook page of a local coffee

shop that invited artists to bring in their works ready to hang. They listed how many they would be able to display. This "Queen Bee" watercolor and pen painting, 7 x 5 inches (minus the brush and paint splash) looked nice in a simple black frame. It was among three others that I displayed, and I priced them all at $50.


The coffee shop got a call from someone who wanted to know if I would accept $40 for the bee. I told the owner, "no." The lady returned to the shop and purchased it for $50. Lesson learned.












One of my first commissions came from a friend who wanted this as a gift for her grandson. The challenge was that this would not be a traditional format; the canvas would be on a chair.


This baseball-themed artwork was a big hit with the family.











Commissions seemed to grow as I shared my work on Facebook and other social media. Maybe the first rule to understand is common sense: You won't have a buyer unless they know what you do.


Tip #1 - Timing is Key

Be responsive and follow up on your leads immediately. Most of the time, people will find your art displayed somewhere. It triggers something in their head that they want a similar thing done, either as a gift or for a blank spot in their home. If someone expresses interest in buying one of your pieces, but can’t make a deposit or payment right away, take down their contact info and follow up with them by the end of the day/event. Most people who buy art don’t “need” it. It’s a luxury item that is often an impulse buy — they fall in love with the art and must have it. But if you wait too long, the infatuation can fade or even transfer to another item. If the art is intended as a gift, timing is even more critical. I learned while working in advertising that no matter how well your product is advertised if you don’t make the sale at the right time, you’ve missed the chance. But luckily, people are more willing to wait when it comes to art.


Tip #2 - Don't be shy to state your terms.

First off, licensing terms should be made clear. Does the client want the right to reproduce the artwork for commercial use/sale? They may think owning the artwork is the same as owning the license to reproduce it as they see fit. It’s your job to educate them if this is the case. Most artists retain their licensing rights for their work even after a sale. But an unaware client may take your commission and innocently reproduce it on T-shirts or publish it for commercial use without informing you first. That will lead to a sticky situation that could be avoided.


Having a written contract containing the details of the commission is essential to make sure everyone sticks to their part of the deal. Explain that paying in advance is essential, allowing artists to purchase materials and cover their initial expenses. To elaborate on the price, the artist will probably list the prices of other pieces as a point of reference. I have a baseline price for my typical artwork, a 9x12 inch image, matted and framed to an 11x14 inch frame, ready to hang.


It's fair to ask for payments upfront for as much as 50% to cover the cost of materials and time. This payment will help the patron and the artist stay invested in the piece and build a credible professional relationship.











#3 - Know Exactly What You're Being Asked to Do.

Remember why the client chose you, and don’t doubt your ability.

  • DO take a creative license — this is why you were hired!

  • DO start with concepts or sketches for them to approve before moving on to costly or large-scale work.

  • DON’T check in too often, or seem unsure of yourself or your ideas, as this is an open invitation for your patron to suggest their ideas or perhaps drag you along a creative journey that isn’t yours. They’re trying to help, but it’s probably doing the opposite. (I have experienced this scenario recently).


#4 - Cherish your good clients, and learn to manage your difficult ones.

Not every commission will go smoothly, but don’t let a few bad experiences ruin the potential for great ones.


This is a learning curve that will take experience, but here are some cues to watch out for. The good clients will insist on paying you up front, leave a lot of the artistic license to you, and give you a broad spectrum to work with without interfering with your creative process.


Hang on to suitable clients, as their trust will inspire you to be more creative, resulting in more portfolio pieces, and you’ll love what you do even more.


The bad ones will try to dictate how you do things, change their minds after you’ve already started, or micromanage your work. They insist they’re just trying to help. Good client management skills and educating your client on your process — like what you DO and DON’T need from them regarding creative input. It is crucial to keep integrity in your work.





#5 - Know Your Market.


What type of art do you enjoy creating the most? What type of art are you best at? This should be your true market.


One of my favorite commissions came from a Facebook post where a friend shared her dog prancing around a bed of daffodils in their garden. Whoop, I thought this would be a great painting. I did this and did not expect it to turn into a commission.


I made a work-in-progress video and sent it to her. She asked if I could have prints made, as in notecards. This turned into a $200 commission, and I gave her the original. She now refers me if anyone is interested in having a pet portrait.



#6 - Pricing

Ugh. This is a BIG burden in my head. It's too low, and I'm not doing justice to my work. Too high, and I price myself out of the market.


You can find a plethora of articles on pricing your art. I will share what I finally did. I found a local watercolor artist in a similar style and started by browsing a gallery with working artists. The result is that my base price was a bit low. I have since upped the base price, and no one has pushed back. While browsing, I saw that the gallery has monthly exhibitions, and I submitted some artwork. I took First Place, and this was another huge confidence builder.


Of course, you can factor in size, time, difficulty, and materials used. Whatever method you use to determine the price ensures you retain integrity in your skill as an artist.








The Benefits of Exhibitions

One of the hardest things for me (which is true of other artists) is to price my work, especially for commissions. I tried developing a formula: for example, square inch x dollar amount. Or (hourly wage x hours spent) + cost of materials

This isn't me. I'm too lazy to track hours or note how much I used in paint or paper.






In the spring, I began to receive requests for commissioned artwork through the shop where I sell my greeting cards and prints. Suddenly, it was important to find a consistent base for pricing. It came to me that maybe I should check the local pricing of other artists. (well, duh?) I browsed around and found a website that is a gallery AND a working studio in Fredericksburg, Virginia. LibertyTown Arts Workshop has an extensive site. There are over 60 in-house artists in various mediums: oil, acrylics, decoupage, you name it. Add to this pottery, glass blowing, weaving, and more. It was a pleasure to browse the work AND shop pricing anonymously. I found a watercolor artist whose technique is similar to mine. My pricing seemed to be low in comparison.


While browsing, I noticed an upcoming exhibition, "Feast for the Eyes." LibertyTown has monthly exhibitions, usually with themes. They lay out a prospectus for the artist, and you submit your work based on the subject matter or theme. The monthly shows are frequently "juried," so an artist's entry may or may not make the cut. Two of my works were accepted, and what do you know? I was awarded First Place, to my delight and surprise. I wrote about this in a previous blog post: A Whim Turns a Win.


Now, I have the confidence of being in line with local artists, and I have been able to give potential clients a base price, plus add a bit if the requested building is complicated, which would require more time.










My relationship with Heather Boutique in downtown Fredericksburg is, without question, where I have established name recognition, as my artwork is displayed prominently in Heather's shop. For that, I am so grateful.



The Fredericksburg Collection has grown from an impromptu photograph of Caroline Street to a full-fledged portfolio of iconic Fredericksburg buildings. I am also looking for historic homes in the area and business establishments that have found a place on the cobblestone streets in this city.

The swipe of pen & ink (which I love) and watercolor (which I love), and threw in some crayons (yes, crayons), and the loose but recognizable views seemed to touch the visitors and residents who wanted these prints.







The unexpected and traumatic pandemic event certainly affected my friend, Heather, and her husband in their attempt to keep their small business afloat. For this, I am happy to be one of the artisans in the shop who work so hard and show their wares. Heather works very hard to keep her artisans prominent in the shop, which is for our benefit, and she helps bring in new clients.


This has led me to cull my 300+ artworks, both large and small. I joined another exhibition at LibertyTown Arts Workshop (Facebook page) this month. The theme is "Tell Me a Secret," and my entry is shown here:



"What is It You Seek?" by Annie Mason watercolor, acrylic, and decoupage

I am proud to be among the amazing artists inspired by this intriguing theme. Take a look at the full group of artists' work here: Tell Me Your Secret, a National Juried Exhibition



What's in the future? Who would know? I am scheduled to be a solo artist at another gallery in town in February. It's fun to stretch your wings...and fly.










The pricing? Not so very important. What are the benefits of exhibiting in a local show? Priceless.


I would hesitate ever to say that the primary function of an exhibition is sales. An exhibition can do what you intend and also things you never intended.


So, what are the benefits of showing your artwork in an exhibition?


  • You get an opportunity to meet your target customers

  • You can collect a lot of customer data

  • You can network with your peers in the industry

  • Your prospects see your presence

  • Customers get to see your products on display


The primary aim of an exhibition or gallery is to deliver the story behind its creation, inspiring budding artists to discover/develop new attributes. More people ask about your work, and what prompted you to paint this work.


Do you have questions about "What is It You Seek?"

Ask in the comments.



Thank you for visiting my blog.









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